about

 

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C’est plus l’auscultation d’un objet/corps décomposé qu’une guitare preparée ou tabletop.La référence est plus proche de Mikrophonie I de Karlheinz Stockhausen et son gong amplifié que des instruments préparés(john Cage, Keith Rowe, Fred Frith,,,).

“…une guitare démembrée où manche et micros se déplacent facilement, une écorchée environnée qui poursuit les coups de scalpels de Martin Tétreault ou Pascal Battus.”(metamkine)

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“Olivier Di Placido is a french guitarist. During the years he has developed an absolutely unique approach to his instrument, being able to play it like a turntable, a synthesizer or a gamelan orchestra. Interested in discovering all the possibilities of the guitar, including the most hidden ones, Olivier has litterally invented a new and hybrid instrument, with unfixed neck and moving pick-up.” (Flussi festival 2014)
He plays all around Europe since more than ten years, collaborating with musicians and improvisers like Mario De Vega, Arnaud Riviere, Tony Buck, Anthea Caddy, Jassem Hindi (Les Sorciers Komas), Fritz Welch (UK Tour) SEC_(Bocian records, Noise-Below), Crank Sturgeon and MANY OTHERS w/Francesco Gregoretti (Viande, Scrotum records),,, taking part to international festivals and shows.

“…le notevoli scarnificazioni elletriche di un musicista sui generis che maltratta letteralmente il suo strumento […] Come un esorcista che si appresta ad operare su un corpo posseduto o, se volete, come un medico che pratica un massaggio cardiaco ad un organo mutante fatto dimateriale altamente sensibile…” (Maurizio Inchingoli – Blow up).

“… les considérables dés-incarnation électriques d’un musicien qui maltraite littéralement son instrument […] Comme un exorciste qui s’apprête à opérer sur un corps possédé ou, si vous voulez, comme un médecin qui pratiquerait un massage cardiaque à un organe  mutant fait de matériaux hautement sensible…

 

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